I’ve been a faithful reader of Réponses Photo for many, many years, and unlike pretty much all other photography monthlies, it has managed to keep my interest my including a very substantial proportion of cultural and explorative themes alongside the usual gear reviews. It also features regular and very strong portfolios of both unknown and famous photographers, often far from safe, comfortable choices, along with incisively edited interviews. The photo book reviews section is extensive and excellent. Of course, there is an element of the usual monthly photo magazine stuff, and indeed gear (especially the traditional November gear special), but in a remarkable move, a redesign about a year ago shunted all this to the back pages, and move the “arty stuff” to centre stage.
Even the featured reader photography is of a very high standard. Indeed, they rejected a portfolio I sent, so it must be! And in recent years it has gone even further, with the “Hors Series” set of special themed issues, each and everyone a remarkable piece of work, especially given the levels of 90% of the competition. The driving force behind this marvel is the editorial team of Sylvie Hughes and Jean-Christophe Bechet. Or rather was, because it appears that in late November, the suits from the Mondadori publishing empire (principle shareholder: S. Berlusconi), which bought the title a few years back, summarily fired them.
I had noticed that the December issue was a bit lightweight, but I only skimmed it, being far too busy with other things. Then, the January issue had a sunset on the cover. This should have set alarm bells ringing, but even then it only slowly dawned on me that the editorial byline had changed, and there was no trace of Bechet or Hughes’ trademark style to be found.
Google searches led me to piece together the information, as there was no announcement. The francophone photoblogosphere is full of pretty angry people. Mondadori apparently want to raise circulation by cutting out all of the character and uniqueness of the magazine, the (relative) edginess and risk-taking, and lowering it to the standards of the rest of the How-To-Shoot-Sunsets-And_Kittens press. This, despite the fact that apparently RP’s circulation figures, while dropping, were performing considerably above market average across the whole print press industry.
The next issue apparently will lead on “How To Photograph Children”. Bugger all use to me, I haven’t got any. As far as I know. While in the past, in these parts at least, issues frequently sold out after a few weeks, I suspect that a very high proportion from now on will be going to the shredder.
This leaves me with one remaining worthwhile newstand-distributed magazine from the three languages I can read well enough: Italy’s Il Fotografo. Let’s hope that Silvio doesn’t get his slimy hands on that.
There has been no sign so far of what Sylvie Hughes and Jean-Christophe Bechet might, or indeed could, do next, but they certainly have an audience waiting for them. I for one send them my commiserations, thanks for all the great photography they’ve introduced me to, merci très sincèrement, and best wishes for the future.