Well, following my recent despairing musings, I’ve taken words of advice to heart, and decided that the best way to gain some redress from my creative slump is to BUY CAMERAS! Yay! So, rather than embark on some dull as ditchwater Photo-A-Day endeavour like everybody else, I’m going to be totally original and buy and rave about a new camera every week! Nobody has ever thought of that! (er, are you quite sure about that ? - author’s alter ego). By the time I’ve worked out what button to press to active Sweet Puppy Darling Cheesecake Party Light Selfie Mode (no, really, Panasonic *do* have that, I saw it on DPReview), I’ll be using the video mode (whatever the hell that is) to show the unboxing of the next one! And my blog will instantly become as cool as 35MMC! (author’s little voice - in your dreams, and after some extreme outsourced graphic design makeover, matey)
So, drum rolls and whatever, here’s the first in a long, long series (promise), a brand new (almost), totally up to date FULL FRAME DSLR (Dented-SLR): the truly stunning Olympus OM4Ti.
I’ve wanted one of these since, like, forever (I’ve seen cool people use “like, forever” on Facebook, so whatever). But it used to cost about $2000, which was a little on the ascendant side, given that it doesn’t even have Exposure Priority. Or indeed video. Then again since I only ever use Aperture Priority, that’s not a problem. And it cost CHF 89.-, which is slightly more US$ than this time last week (and let’s not even mention €), but still rather a lot less than $2K.
And OMG is it gorgeous. I can’t stop fondling it. The view through the finder makes me babble incoherently (nothing new there), and feathers would kill for its lightness of touch. It makes my Digital Wonderbox E-P5 look a little tragic, really. The handling is just perfect, the multispot mode that I remember Canon copying on the T90, and which I used a lot until it gave me a hernia, is excellent, although overkill for negative film, and the Hilight / Shadow buttons are fantastic for when you can’t remember how exposure compensation works. So, I ran two rolls of slightly expired Ektar 100 through it - I hate Ektar 100, actually, but it’s all I had to hand - and rushed off to the only 1-Hour photo lab left this side of the Alps… and it was bloody closed. So no slightly delayed chimping for me.
…two days later…
Well, getting two rolls of Ektar processed and scanned automatically to CD on a Fuji Frontier 1000 cost me about half the cost of the camera, which gives one pause for thought, but the results are promising. Apart from the shots where I forgot that image stabilisation was invented about 20 years later, and allowing that it is, after all, Ektar, they look pretty good to me. When I get time I’ll do my own scans. I have two Zuiko lenses, a rather crotchety 50mm f/1.4, and a very smooth 85mm f/2.0. Both work far better on the OM4Ti than on digital bodies.
So, these are all basic vanilla lab scans, no tweaking.
Film’s not dead. It’s just resting.
Right, that’s enough of that camera. Bored. Attention span exceeded. Next, please!
Conditions for viewing the northern lights in Iceland last night were spectacular with exceptionally clear skies and high Auroral activity.
(Via Iceland Review)
Well I could soon put a stop to all that. All I need to do is just hop on a plane to Keflavik and I can guarantee 100% cloud cover, drizzle, and blown fuses in all Aurora activation circuits.
Of course they’d start up again the day I left.
Anyway what’s the big bloody deal ? For one, all Aurora photos look exactly the same, and for another, the sky’s not supposed to be that colour anyway. Load of fuss over nothing if you ask me. Which you didn’t.
I bought a camera bag today.
The trickle-like pace at which I post stuff on this blog has recently reduced to a drip feed without the drops. It’s not that I haven’t got anything to write about. I’ve got plenty of ideas in my head, but the effort to actually set anything down in words seems to get harder and harder, and the constant questioning of the actual point of it all regularly resurfaces.
I’m not sure where blogging gets us all really, either as readers or writers. Some blogs have a clear objective, like the fascinating and eminently readable One Hundred Mountains. But most seem to be mainly about self-promotion, openly or under a thin disguise. Being good at self promotion is pretty much a pre-requisite for being a successful professional photographer, or a well-known amateur. But being an interesting and compelling writer probably isn’t, at least not on the evidence I’ve seen.
I’ve given up on photography bloggers who are basically in it to market their book / ebook / workshop and generally build up their business. Good luck to them, but I’m not terribly interested in endless repetitive marketing wrapped up in tidbits of recycled wisdom. Yes, I know, I should use a tripod. Thanks. Got that. I’ll shortly be updating my blogroll to publicise bloggers who actually inspire me with their words, images, or both. Although I’m open to offers to provide paid marketing links…
WARNING: you are now approaching The Point. Please do not undo your seatbelt until this rant has exhausted itself to a complete standstill
So, a certain prominent blogger recently wrote what presumably was a tongue in cheek, opinionated piece on camera bags. It can be summed up quite easily: anybody who has a Domke bag (or apparently a Leica branded sack… whatever) is a way cool dude, anybody who uses a camera backpack is a mindless, unfit moron who couldn’t tie his own shoelaces.
Well that makes me a cool, mindless moron (etc) because I’ve got both. A Domke F803, which is fab for leisurely wandering, say, the coastal paths and villages of Liguria with an Olympus PEN and a few lenses, but pretty ******* stupid for hiking across a glacier in Svalbard with a DSLR, several heavy lenses and a large tripod (to fight bears off with, you understand). For that I’ve got a
pretty good huge, ballistic nylon, super-size-me bag LowePro backpack. As have several million others. I’ve also got a smaller but remarkably flexible Kata backpack for less rugged outings (sadly Kata is apparently in the “super crappy camera bag” category. Oh well.). Of course, if I were a studio photographer, carrying my gear in my big fat SUV to my next air-conditioned gig shooting flawless models in Downtown, USA, I might well use the Domke. Equally if I were to wander the streets of Laredo, coolly dropping in to photograph a perfect cappuccino with the camera I just bought, then, yes, the F803 would do nicely. But if I also had some perspective, I might realise that other people have different needs and compromises to make, and maybe, just maybe, their choice of a LowePro backpack doesn’t make them a total dongle. Or indeed an engineer.
Anyway, the author does of course state in his article that this is all just his own opinion, he doesn’t expect anybody to share it, bla bla bla. Which brings me to the real point. If it really is of no interest or relevance, why bother writing about it? This kind of article might make me question why I dedicate time to reading that particular blog, and whether the author is actually worth my time. And indeed, what the sum total of this shouting from our metaphorical little islands is amounting to. One might hope it is in part a building of relationships, and exchange of ideas, a conversation even, but when certain (other) A-List bloggers decided that reading and managing comments is just too tiresome, one must really wonder how relevant they are.
Rob Boyer has a far more convincing blog in praise of Domke bags, by the way.
I bought a camera bag today. It’s small and black, and lets me carry my PEN around on workdays without looking like a total tourist. It’s made by Crumpler and didn’t cost very much.
Marmalade! I like marmalade!