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photoblogography - Just some stuff about photography

Uncompetitive spirit

although with right incentive…

in Photography , Monday, October 08, 2018

I’ve never been one for competition, of any kind. I prefer to do things my own way, to set my own goals, and not bother too much what other people are doing. This is not restricted to photography - I have the same attitude towards all forms of work and play. I certainly compete against myself, for example setting time or difficulty targets for mountain biking, but I really have little interest in fitting in with some set of restricted parameters to compete with others. The fact that I’m a miserable antisocial loner doesn’t help much, mind you. But when it comes to photography, and indeed all arts, I really, really do not get the idea of competing. How can we say that one person’s mode of self-expression is better than someone else’s ? It strikes me as being more harmful than anything else. Of course if you treat photography as a technical endeavour then it can work - prize for the razor-sharpest photo of nothing in particular, prize for the highest resolution brick wall, prize for the most slavish conformance to the Rule Of Thirds. Etcetera.

Which is all a long preamble to say I entered a competition. Not exactly National Geographic, but instead a competition run by my local bricks and mortar camera shop, Foto & Ottico Carpi of Bellizona (of which more below). The competition required a submission of just one photo, of an animal. Any animal. And the first prize is an Olympus E-M1 MkII, so not exactly nothing. Still, despite my having plenty of photos of animals (not that I’m any good at all at wildlife photography), I still dithered up until almost the last moment before sending in my entry.  You may be able to spot it in the screenshot below:

Screen Shot 2018 10 07 at 22 07 51

The quality of the entries to the competition has really taken me aback. This is a competition run by a small, if excellent, shop, in a small provincial town in one of the sleepiest parts of Switzerland, open only to subscribers to the shop’s mailing list. It just goes to show how many really excellent photographers there are, and that despite all the sneering about selfies and camera phones, there is still a very significant section of the public who take photography seriously. Of course, these could all be the shop owner under different pseudonyms :-).

I’m not sure when the winner will be announced, but I am sure it won’t be me.

Footnote:

Foto Carpi is a family business, run by the professional photographer Milo Carpi, located in the Main Street of Bellinzona, Ticino. They are an Olympus Pro dealer, Nikon as well I think, and also stock Sony, Leica, Panasonic, Sigma and a surprisingly good range of accessories. They even sell film. I got my last ever rolls of Ektachrome E100G there. They quite often run open days supported by the importers of their main brands. It’s really encouraging to see such a business managing to survive in these times, but the icing on the cake, and really surprising thing are their prices: I only really look at Olympus prices, so I can’t say for sure that this applies to all brands, but their Olympus prices consistently undercut even the lowest prices from Swiss internet box shifters. And this with personal service and advice, the security of being able to personally bring in any defective or damaged item, and a hotline to Olympus Switzerland. I try to give them as much of my business as I can.  And I often find excuses to stroll past their window display.

 

Photokina Fallout

GAStrology time again

in GAS , Wednesday, October 03, 2018

The recent avalanche of new camera announcements (albeit most of them vague promises for 2019) have once again stirred up doubt and Gear Acquisition Syndrome. As a committed and long term user of Micro Four Thirds, and Four Thirds before that, I might be wondering if all this rush towards “full frame” somehow invalidates my photography. It’s a stupid reaction, but not uncommon, and let’s face it, I’m just me against the relentless onslaught of marketing and Internet pseudo-peer pressure. Every telegraph pole out there has a raven perched on it, croaking “Micro Four Thirds is dead, nevermore!”.

I have to confess some of the offerings look tempting. The Nikon Z7 seems pretty nice in theory - I saw one in the flesh yesterday, alongside the Olympus E-M1.2 and Lumix G9 MFT cameras, and the Nikon looks about the same size as the Olympus and actually smaller than the Lumix, despite housing a sensor that’s twice the size. Then again, boy is that Nikon ugly! And not even in a quirky way.

The standard defence of MFT would be that the cameras and especially lenses are smaller and lighter. Well, although there are smaller and lighter variants in the MFT world, honestly if you want reasonably fast, weather sealed lenses, and a rugged body, in many cases you may wonder if the smaller, lighter bit starts to get a bit marginal.

I’m not so bothered, in general, about “image quality”, whatever that means. Generally any modern camera is good enough for everything except very special cases. But nevertheless, recently I have been starting to get frustrated with a certain lack of resolution of high frequency detail in the far distance. Close up, there’s no problem, the Olympus body/lens combinations can deliver all the resolution I’ll ever need. I can understand that MFT might impose too many limitations on, say, outdoor portrait or wedding photographers, but for my mixed urban/landscape stuff, generally it’s not the limiting factor. I rarely need to go over ISO 1600, indeed I’m not that often over 200, and I tend to be scaling for more depth of field, not less.

Anyway, to try to get a handle on the realities of the situation, I decided to make a small series of prints from Olympus files (all 16 Mpix) at the largest size my printer offers, A2. And, frankly, they worked out just fine. They stand up very well to high quality scans from 120 format film, and in some respects to Sigma Foveon files. Honestly, I can’t see me ever needing to print bigger - I have no actual use even for A2. If ever I did, I’m sure I can find professional printers who can go up to A1.

IMG 5179

A2 Prints from Olympus 16Mpix files

IMG 5180

Detail of above A2 Prints

I then started to think about a couple of future trips I have planned, which involve flights with very restricted weight limits. That’s when the apparently marginal weight advantage of MFT starts to kick in. For example, the marvellous 12-100 f/4 lens is practically on a par with any Olympus prime, even the f/1.2 series, and at a push could work as the sole lens for most trips. It weighs 560g, and with Dual IS offers unbelievable stabilisation. There is a 24-120 f/4 Nikon lens that weighs 710g and has less range (yes, I know all about depth of field, but for me this is at best irrelevant, at worst a downside). If we move up to the equally fabulous Olympus 40-150 f/2.8, which weighs 760g, then the closest Nikon I can find is the AF-S NIKKOR 70-200mm f/2.8G ED VR II, which weighs 1.5kg and is significantly more expensive and bigger. It’s at this longer end that the MFT weight advantage really kicks in. And if you’re willing to compromise a bit on aperture, then you can find very good MFT lenses that hardly register on the scales.

Certainly “full frame” sensors have an attraction and certain advantages in noise threshold, dynamic range, and resolution. But frankly, these advantages are often not much different from trivial. I’ll take the possibility of carrying an extra 150mm of focal length reach over a 0.5db increase in dynamic range.

Olympus didn’t announce ANYTHING at Photokina, which was another sign that the sky is falling on them, apparently. Well, it might not be the best news for Olympus, as new product drives sales (I suppose), but it’s fine by me: I’ve pretty much got everything I need - although that 300mm lens is sort of tempting. I don’t even have the latest body, the E-M1.2 - it doesn’t really offer me anything over my E-M5.2 or E-M1.1, and it’s noticeably bulkier. What I would like to see Olympus work on, personally, is a range of optically excellent medium aperture primes, along the lines of Leica Elmarits, and a high-end medium aperture medium zoom, within the 14-35mm range. But then again, the “low end” lenses they already offer in this range are really far from poor.

So, in summary, the grass is actually a perfectly nice hue of green on my side of the fence, and I’m sticking to it. I did vaguely hint at the one Photokina announcement that really did have me clutching my wallet: the L-Mount alliance. The thought of a full frame Sigma Foveon camera interchangeable with Leica and Panasonic bodies, all three taking each other’s lenses is really interesting news. Certainly not a solution for weight-constrained trips, but otherwise, I can see this paired with my Olympus kit as the ultimate solution - for me.