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photoblogography - Just some stuff about photography

Way off the reservation

everybody hates me, etc

in General Rants , Wednesday, July 31, 2019

Preface: I’m not entirely sure what prompted me to write this diatribe at this particular time. It is just one aspect of a growing dissatisfaction which I have with all this photography culture stuff. And irritation with pretty much everything that crosses my lawn.

A while ago, quite a while in fact, I made a conscious decision to choose photography as a hobby. Apart from the photography in itself, it seemed like a good excuse to get out of the house, and a way to meet interesting people and make new friends. And as the internet exploded it seemed to promise even more. All those websites, fora, photo sharing - a cornucopia of engagement with like-minded people.

Maybe it’s all my own fault, but it didn’t really work out that way. Over time I discovered that the photographic community, by and large, has the highest aggregation of snake oil sales(wo)men, frauds and egomaniacs in the known universe. In fact I’ve realised that I found very few like-minded people, and hardly community at all. Instead it was just a frantic souk milling with people shouting LOOK AT ME! ME! MEEEE!

Pretty much photographic blogging boils down to self-marketing and selling.  Most photography tweeters are plugging their own or their sponsors’ products. The number of people publishing quality material just for the love of it, be it photography itself or writing about photography is near zero. And as far as I can tell, in the increasingly vomit-inducing world of “landscape photography”, if you remove Guy Tal, it is exactly zero. And to be honest, you can probably have too much Guy Tal.

In less constrained themes there are a few beacons of hope. Andrew Molitor’s writings are largely way over my IQ threshold (no, not that IQ, the other one), but he writes very engagingly, and even when I haven’t got the faintest notion what he’s going on about, I enjoy reading him. The chap behind the Leicaphilia site is good too, and I enjoy reading his stuff even if I have very little interest in Leicas as such. And that’s about it - the other engaging writers gave up about 10 years ago. All the other sites in my bookmarks are full of regurgitated nonsense promising to make me such a better photographer if only I’d buy their workshop / course / ebook / presets, or buy that shiny new camera from the company that’s bankrolling their trip to Outer Wazookstan.

Sadly it’s pretty much the same thing at a personal level. I’m running the risk of upsetting a few people here, but frankly I don’t give a damn. Look at yourselves, people. Especially those of you who are my best friends forever when you want something, or when I buy your stuff, and then don’t write or call until that time you’ve got something else to sell. Fine, you’re in business to sell stuff, but just stop with being so fake about it. Only in the Photography World have I encountered this level of mendaciousness, and I’m getting so sick of it that it is getting close to putting me off photography altogether. The only solution I can see is to pull down the shutters and work in complete isolation, which is totally contrary to my initial motivations. I’ve always tended to believe in mutual assistance, but I’ve lost count of the number of photo buddies I’ve promoted, publicised, helped in other ways, only to see them pull the ladder up as soon as I was of no further use in the Quest to be a Master Nature Photographer. Sure, it could just be me - but really, it seems to be only photography as a pursuit that does this to people.

Why does photography drive such behaviour? Why do we accept that anybody with a camera and some ability in self-marketing can call themselves as “educator”? Is just because is it so easy? Does anybody have any theories?

Of course, there are a few exceptions, and I’m going to assume (if you’re reading this) that you know who you are, because if I included you in the above group, I wouldn’t be buying your stuff…

I’ll go and shout at some clouds now.

 

Best Cameras For Landscape Photography

it’s not what you think…

in General Rants , Tuesday, July 16, 2019

Recently the photonet has thrown up a couple of pieces aiming to list the Best Cameras For Landscape Photography. Both DP Review and Photography Life have pretty much concluded that you must have a very big and expensive digital camera to do landscape photography, and frankly, if you don’t have a $10’000 Fuji GFX100, you might as well give up. I will say that DP Review have rebalanced things a bit with a video demonstrating that you can get excellent results with a basic DSLR, but the general theme, as ever, is that for some vague reason, “landscape” photography demands huge resolution.  Leaving aside the fact that neither list includes any camera I own, which frankly doesn’t bother me, this peer pressure pushing people to buy unnecessarily complex and expensive gear makes me angry.  Gear-oriented discussion of Landscape photography comes with a number of tired, ungrounded clichés, which apart from the ridiculous and ever increasing demand for megapixels, includes equating Landscape with “wide angle”, with ultra high end lenses, and huge backpacks.

Frankly it’s all rubbish. Just a couple of years ago people were salivating over 16 megapixel cameras, and winning awards with photos taking with 35mm film.  Those ancient cameras still work, and if your photos (or indeed my photos) are no good at 16, or even 6, megapixels, they’re not going to be any better at 100. You’re just going to have a lot less money to be able to spend on travelling around to actually enjoy photography.

And speaking of travelling, airline carry-on bag dimensions and weight are constantly decreasing. If you like to have a reasonable selection of focal lengths to chose from, even “full frame” is going to become troublesome.  There’s not much point in having that super mega camera or that super bright telephoto lens if you can’t afford to travel with them.

Of course sometimes the biggest and best is justified, but either because somebody else is paying, or because you’re wealthy.  And even then, the difference in outcome is often not much more than size.  Take Julian Calverly for example: while he does a lot of commercial work with a medium format system - where he actually needs tilt shift lenses - he also produces equally fabulous work using an iPhone.

Far be it for me to lay down the law, but I’m just passing on my experience - I spent too many years in the gear acquisition hamster wheel, and frankly it has bought me very little lasting pleasure. If I look at my favourite photos, there is no correlation whatsoever with the perceived quality of whatever camera I was using. Actually most of the few photos I have which have received external praise, and even generated income, were taken using a 5Mpix camera.  A camera which just happened to have excellent ergonomics.

And that’s the key really - the best camera for your landscape photography is the one you feel the most comfortable with, which will get out of the way and allow you to concentrate on the photography. The so-called “image quality” is close to irrelevant, as pretty much all cameras today are well past good enough.  And what differences there are are far from linear - a $10’000 Fuji GFX does not have image quality 10 times greater than a $800 Fuji X-T30. In fact in many cases you’d have to look very closely to see any difference.

My advice is simple - keep the weight down, and buy something digital with weather sealing. The rest will take care of itself.

 

So many photos

and so many more photos

in General Rants , Wednesday, June 19, 2019

A couple of weeks ago, Kirk Tuck wrote a blog post entitled “What do you do with all the photos you take?”.  It was a very good question. Kirk, it seems - SPOILER ALERT - deletes a significant number of his before they even get on a computer. I probably should do the same, but I don’t. I have got an awfully large number of digital photos, and a whole lot more on processed film. Actually, my Lightroom catalogue, which goes back to 2004, more or less, as of today has 74’702, which I suspect is actually not so many, especially as 50’000 of those are test photos of ducks. But even so I can’t keep up. I continually take new photos, and the projects I have in mind for the previous batch get overwhelmed as I sift through the newer ones, which in turn get overwhelmed by their successors.

I have several projects I’ve actually started, apart from all the ones in my head. One is a fairly straightforward book of Antarctic photography - I’ve even written the text for it. Another is a rather more eccentric concept for a series on Venice.  I’ve got the raw material for this stuff, I’ve got the ideas, but I haven’t got the time, or the ability to focus. And then I had an actually quite well planned and executed harvest of photos of Madeira’s levadas, which I absolutely love, but that’s still sitting on the virtual shelf. I’d get onto that only I have some stuff from the Lauterbrunnen valley from last week which got in the way.  And so it goes. The problem is that I suspect that the part of all this which I most enjoy is taking the photos - well that and shopping for gear. I suppose I have some vague idea of a long enjoyable retirement when I’ll sort it all out - but actually, a retirement spent sitting in front of a computer, waiting for the final shutdown…is maybe not the best idea.

As I was saying, the problem is focus. I also have a lot of material to write about. It’s mostly in my head. I suppose I might manage to publish more frequently if I thought that anybody except me is actually reading this stuff, but pretty much nobody is, so it may just as well stay in my head. I’m not complaining - Kirk Tuck’s Visual Science Lab blog is a whole lot more appealing than mine, and deservedly popular.  Item: he publishes a lot of gorgeous photos of equally gorgeous women. I don’t. Item: he writes extensively about endless buying fabulous camera gear allowing his readers to enjoy vicariously whatever his latest craze is, and to justify to themselves their own spending sprees. I don’t. I sometimes write about gear of very marginal interest to 99.99% of the gear audience, from a very eccentric angle. And always the same gear. Don’t come to me to fix your buyer’s remorse. Item: Kirk runs a successful photography business. I don’t. Item: Kirk has time for (a) at least one hugely interesting photowalk every day, (b) to maintain an extensive fitness program, (c) to write long and interesting blog posts, (d) to run his aforementioned successful business, (e) to have what appears to be a health and happy family life, (f) etc.  Well, I suppose I do too, but actually mostly I procrastinate and read Kirk’s blog.

And I’m forever veering wildly off topic.

Maybe tomorrow I’ll delete all the test photos of ducks from 2005. And publish a set from Trümmelbachfälle. Or maybe I’ll just go out and take some more photos.

Drm 050111 193232

Your time’s up, duck

 

 

Snow what? Snow where?

what’s in a name?

in General Rants , Thursday, June 13, 2019

I registered the domain name “snowhenge.net” around June 2001. Although I had been running my own website since around 1997, this was supposed to be a step in a more ambitious direction.  The choice of the name “snowhenge” was a bit backwards looking, referring to an incident in the past where my somewhat strange sense of humour had been deployed. I don’t think I intended to be particularly meaningful at the time, although the initial site design had a strong “snowhenge” theme. Rather, it was fairly typical bit of misdirection.

When I walked away from Antarctic research and science in general, somewhat in disgust, I expected that polar regions were firmly in the past. Even though my involvement in research did eventually drag on for a few more years due to unfinished commitments, in my head I’d moved on. Well, more or less. In 1999, having already decided I need a major change of direction, I spent 3 weeks trekking in Eastern Greenland, back when it still had ice. A major motivation for that was wanting to rediscover the unique soft evening light which had enraptured me in the Antarctic. Photographically it was a disaster, as my camera’s exposure meter malfunctioned without me realising it, and my travel zoom lens fell apart. Actually at that point I didn’t have much of a clue what I was doing, and photography was not my main objective. My objective was to find a quiet place to sit on the rocks and gaze at icebergs. It probably still is.

Greenland 02

Greenland, 1999

From then onwards there was little real connection to snow, or polar regions at all on snowhenge.net. I got much more into photography, but this was concentrated on areas adjacent to my my new home in Ticino.  There was a glimmer of a return when I embarked on a bit of an Iceland obsession from 2004 onwards (my first visit in 1999 having for some reason made no impression on me), but still, there was no real direct justification for my web site’s title.

But eventually things turned around. In 2010 I visited Svalbard with a private expedition of 10 people, and then finally in 2013 returned to Antarctic as a tourist, with a somewhat unexpected follow-up in 2016. This, along with beginning to write quite a lot more about the Antarctic, seemed to indicate that I was finally making thematic sense.  But recently I’ve noticed that the home page barely mentions anything polar, and I’m beginning to wonder if maybe it is time for an identity shift. Actually the URL davidmantripp.com points here too, perhaps I should make it the primary name. Then perhaps people will not visit expecting to find a Snowhenge and immediately turn away disappointed.  Or maybe they do that because there’s not much to see anyway…  I’m certainly no Influencer!

I have to confess that I have another Antarctic trip lined up for early next year, something a bit different this time, which will leave me utterly penniless (but maybe also with a new sense of direction). But then again, I’m equally enthralled with other places, most recently Madeira. So I guess snowhenge.net will remain what it seems to have always been, a testimonial to my chronic appetite for digression.

 

My photos suck

...and I don’t care

in General Rants , Wednesday, April 10, 2019

From the vast amount of stuff I’ve read about photography, I can really only come to one conclusion: my own photography is basically worthless.  My take away from Landscape Photography pundits is that to have any worth, photos have to have some deep and mystical connection to the natural world. A photo of a tree is not of a tree, it is a representation of the photographer’s relationship with the landscape. Well, in my case, the photo is actually of a tree, and the reason I made it is because for whatever reason I liked the tree. There’s no message in there, there’s no whispered pseudo-religious revelation. There probably isn’t even any “pin sharpness”.

In the past few days I’ve been editing my latest haul of photos of Venice. Some are geometrically interesting, some have nice colours - some have both geometry and colour - and a few have people in them. Almost all are technically more than competent. All are, unfortunately, totally soulless. I’m not going to kid myself, they may look nice in “Lights Out” mode in Lightroom on a black background, but they have zero artistic or cultural value. They do not in any way communicate the emotions I feel when wandering around the outer zones of Cannaregio or the Giudecca. In the cold light of self-analysis, they’re worthless.

As for the technical side, well, actually, I think they’re ok, but perhaps I really don’t know. I’ve read about all this stuff on DPReview and countless blogs, but when I set the slider to 0 I still can’t see this infamous “noise” in the shadows, or all this (lack of) dynamic range. I guess I just don’t have the skill to see it.

I might once have aspired to reaching some sort of higher level of vision or something, but I got stuck at the snapshot stage, and that’s all their is too it.  There are so many other ageing white male engineer-types trying to pretend they have an artistic side by buying camera gear - some of them call themselves Fine Art Photographers, especially if they’re American - that I just got lost in the crowd.

This realisation that I really not any good at any kind of artistic expression has crept up slowly on me, so it isn’t much of a surprise. I’ve known about it for some time. It also impacts on wider things, sometimes in a good way. For example when thinking about places to travel to or go on vacation, these days I don’t start wondering about what gear to take, or how to get “the good light”.  I just go with the flow - I might take some snaps, I might not, but I don’t feel bad about not being that guy wandering the streets with 20kg of camera tech strapped to his back.

At the same time I’m getting more and more weary with all the photography chatter in Twitter and everywhere else. I’m not the only one who can’t take a meaningful photograph, but I seem to be the only one who realises it. Even more, I’m fed up to the back teeth of people who are convince that a totally dull photograph becomes a work of genius because it was shot on film (or even better, expired film).

So, does this mean I’m giving it all up? No, I like taking photos. But I’m not going to keep stressing myself reading all this stuff about how I should “take it to the next level”, “find a a philosophical basis for what I do”, make a rock be “more than a rock” or all the rest of the depressing psychobabble. I’m certainly not going to dive in some kind of ersatz conceptual art.  Vacations will be vacations, not “photo tours”. I’m just going to take (hopefully) pretty pictures of things and juxtapositions that grab my attention or resonate somehow, enjoy the process of doing so, and enjoy looking at them. And I’ll publish a few here on my website too, just in case they give a few fleeting microseconds of pleasure to others.

 
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