Just some stuff about photography

INDEX

Digital’s Not Dead

It’s just been having a bit of a rest

in Photography , Thursday, September 28, 2017

I realised the other day that my last 12 posts have been almost exclusively about film photography. Since May, I’ve mentioned digital just once, and that was in the context of comparing with film.  This seems to have started in March, but it really wasn’t intended. I’ve also noticed that by and large, the quality of my photography has dropped significantly. Possibly I have fallen prey to the very same strain of gear obsession that in past posts I have charged the “film community” with. It may also be that I’m not finding much inspiration, and am just repeating myself.

I suppose really I’ve been dedicating quite a lot of time to getting my film photography back up to speed again, and ensuring that all the stuff I need to work works as well as it can. I think I’m almost there on that front. I’ve also been getting familiar with the Linhof 612, which is not that simple. Actually, the Linhof seems to have quite a serious fault which is causing uneven film winding, in some cases resulting frames overlapping. So it looks like its going off to the factory for servicing, which is going to be expensive. The previous owner told me he never had any issues, and I have no reason to disbelieve him. Caveat emptor, I suppose, especially when buying through eBay.

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The above photograph is absolutely digital. It was taken two weeks ago, way off the beaten track in the Aspromonte region of Calabria, right in the south of Italy. Aspromonte, most of which is a national park, is absolutely stunning. It is harsh, arid, with precipitous abandoned villages connected by crumbling, vanishing roads (Europcar would have a fit…), and astonishingly beautiful.  There are few people around, but those few are welcoming, friendly and embarrassingly generous. We had only 2 days there, but I’m certain I’ll be going back.

I suppose Aspromonte would look even more stunning on Portra or Provia. But hauling medium format film cameras down there would be a real struggle. And would it even be worth it? I’m not going to try to pretend: in terms of real resolution, even a 5300dpi scan from medium format film doesn’t beat a 16MPix Olympus file, never mind a Sigma Quattro file. Resolution isn’t everything though, and there remains a clinical precision in digital which I sense rather than see. It don’t like it, but I can live with it.  Just as the lens I took the above shot with, the Olympus 14-150 zoom, is probably optically my worst. The bottom right corner is really soft at wide to medium focal lengths. But it is extremely light, very flexible, and great to travel with. So, like digital, I tolerate it.

So yes, I am quite conflicted about film versus digital, and I suppose I always will be. I wish I could just choose one, but I don’t suppose I ever will. But it does seem that the less I bother about gear in general, the more enjoyable I find photography. Maybe I should turn off the internet.

Chromatic abberations

vario, panned

in Photography , Monday, September 25, 2017

A few posts ago, I wrote a rather dismissive impression of the new Rollei Variochrom film. Unfortunately, I’d bought 4 rolls of the stuff, so I felt I should do something with it. Having discovered what it actually does, which is to transport one back to the Good Olde Days of wildly inaccurate colour and grain you could eat for breakfast, it occurred to me that the part of the world I’m constrained to wander during the working week might actually benefit from this treatment. Well, it would be hard to make it look more dull than it actually is - although Dog knows I’ve tried over the years.

I’m pretty much at odds with todays retro film community, which seems only interested in the flaws and weaknesses of film. There are certainly people doing fabulous work today with film, for example Bruce Percy, but the film camera hipsters don’t actually seem to be interested in photographing much else than their cameras. 

Oh dear, have I got off track again ? Where was I ? Oh, yes ... Variochrome.

When used forewarned and with intent, I have to admit it can be quite interesting.  I quite like the following sample, although its not really my thing.  In the right context Variochrome is interesting, but I still pretty much stand by my earlier comments.

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The canister light leak I encountered on the first roll repeated itself, by the way, despite my taking special care in loading, unloading and handling the film.

Oh well, only another 2 rolls to go.

Scattered thoughts gathered together

a sofa in St Tropez

in Photography , Monday, July 17, 2017

There’s not a huge amount going on in these parts on the photography front right now, but I’m carrying on with getting familiar with the Linhof.  I took it on a recent short break in Provence, and used it as a point and shoot.  It got me a few curious glances (the sort that crazy people get), and maybe a couple of atmospheric shots.

1972 wants its soundtrack back.

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Mais… ou est Brigitte Bardot??

 

Isole Borromée

dusted down

in Photography , Thursday, June 15, 2017

A couple of days ago I discovered on my desk a couple of sleeves of 120 film. These turned out to be from a small set I made nearly 2 years ago in the Borromean Islands in Lago Maggiore.  They are all 6x7 shots taken on Kodak Portra 400 (it’s what all the cool kids use, you know) using the Voigtlander Bessa III 667 (probably the best fixed lens medium format camera ever made - certainly the last, along with its 667w close relative).

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Portra 400 - photography’s answer to Dad Dancing.

Extra Texture

read all about it

in Photography , Friday, May 26, 2017

Enough blabla, here’s some pictures.

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