Then, somehow, I remembered reading about CineStill film, and idly decided to take another look. While their tungsten balanced 800T film doesn't interest me so much, the 50 Daylight film intrigued me, so I bought a couple of 35mm rolls from ars-imago, and popped one of them in the XPan. And it still works. And even more remarkably, so does my Opticfilm 120 scanner.
Actually, I've just remembered why CineStill popped back into my head. It was actually because of ars-imago, although I didn't immediately realise it at the time. I recently backed the Lab-Box film processor initiative on Kickstarter (yes, I know, hardly consistent with my desire to reduce gear and give up film. Did I ever claim to be consistent ?), and that led me to various links about currently available films, and therefore, to CineStill. And then I realised that Lab-Box is an ars-imago project.
Ah yes, films. That reminds me of something. Back in September 2014, I backed another Kickstarter project. I was hoping to use my first rolls of FILM Ferrania's new product on my 2015 trip to Iceland. Well, my 2015 trip was postponed to 2016, but now, in March 2017, Ferrania's film still hasn't turned up. However, there is some degree of light at the end of the (drying) tunnel, as is evidenced by the following receipt.
I am also not all that interested in B&W film, but since it seems I'll be getting a processor, I need to have something to feed it with. And I could hardly pass up the opportunity to finally buy some new Ferrania film. Forza Ferrania!
So we seem to be heading towards some kind of convergence. Genuinely new E-6 film producers, to be joined by the revival of Kodak Ektachrome, various "niche" negative film producers ramping up production, and real innovation rather than reintroduction with the Lab-Box. I wonder when the camera manufacturers are going to start noticing ? Apart from Lomography, that is. After all, with digital camera sales falling off a cliff, they're going to need new markets to turn to.