In a few weeks I will be going back to Venice again, but this time in a different context. I decided to sign-up to the Olympus sponsored workshop led by landscape photographer Steve Gosling and Travel and Portrait photographer Neil Buchan-Grant.
At this point I should probably have a clear idea of my objectives and how I expect this workshop to “take me to the next level”, and to “further developing my own eye and style”, as photo guru Ming Thein puts in in the prospectus for his own (far, far more expensive) Venice workshop.
Of course, the truth is, I haven’t got a clue. I don’t know if can get to the “next level”, never mind if I want to or need to. I’m not sure I even know where it is, or if I’d recognise it if I walked into it. What I do know is that I have a recurring dissatisfaction with my photography, which is increasing in frequency, and I think it might kick me out of a rut to be able to spend some dedicated time with other photographers, in a location I know well enough that I won’t be hampered or distracted by unfamiliarity. And I like the work and writings of both of the two workshop leaders. And, I assume thanks to Olympus, the cost is astonishingly low (slightly more than 1/10th of Ming Thein’s offering).
To get some idea of what my objectives might be, I decided that establishing some kind of baseline might be a good idea. This meant finally getting around to selecting 16 photos for a Venice set to add to my galleries. I was surprised how quickly this fell into place, normally it takes much longer. It was helped by the extensive pre-selection I’ve been doing over the past few months, but even so. Maybe it will give me some idea of where the mysterious next level is, although in Venice of course one never really knows…
Maybe in a few weeks time I’ll have been transported to a higher (Olympian) plane of photographical excellence and I’ll be able to junk all these. We shall see.