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Apple & Olympus

in GAS , Wednesday, February 11, 2015

A couple of announcements on the gear side of photography have sparked my interest in recent days. First, the emergence of the preview of Apple’s “Photos” application. This is supposed to replace both iPhoto and Aperture, although exactly what Apple means by “replace” might not quite match up with the expectations of long-term users of either application. The synchronisation between devices is something that’s been missing since the 3rd party Pixelsync was murdered by Apple, but otherwise there’s little to be optimistic about. On the Aperture side it looks fairly grim. Photos is showing some sign of innovation on the manipulation front, but the effort seems to have gone into a narrow range of tools. Aperture’s in-depth colour controls don’t seem to have been taken over, for example. That’s not good, as Aperture was lagging a bit behind competitors such as Lightroom and CaptureOne in that area anyway (although perhaps far less so that internet chatter would have you think). But on the organisation / editing side, it’s a total wipeout. There seems to be basically no tools at all. You get Apple’s hardwired idea of how your photos should be organised (“Moments”, “Collections”, etc) and that’s basically it. And as for metadata, well, someday perhaps. Maybe a third party plugin will support it. And that’s the basic issue - Apple wants us to wait, and wait, and wait, and then (maybe) rely on some 1-man band App Store plugin developer to provide Aperture feature parity.  Well, no thanks. This is not the sort of house of cards I want to entrust a lifelong endeavour to. Aperture was - and is - fabulous, but it clearly doesn’t fit into Apple’s corporate vision, and indeed probably never did. I suspect it was largely sustained, as a square peg in a round hole, by Steve Jobs’ foaming-at-the-mouth hatred of Adobe. Aperture was a throwback to Apple’s last-century culture. It has no place in the world of the iThing factory. Photos, on the other hand, is iThing to the core, which is probably excellent news for selfie addicts casual photographers and Apple shareholders.

The other news is from Olympus. The latest OM-D camera, the (deep breath) OM-D EM-5 Mark II, might tempt me where the OM-D series so far has not. The big deal for me is not the 64Mpix sensor-shift high resolution mode, although that is interesting, but rather the long awaited (by me at least) return of the swivel mounted rear screen, which was such a key feature of the E-3 & E-5 DSLRs. The EM5.2 also seems to carry over the rugged build of these two.  Olympus is pretty much the only company to have ignored the line that swivel screens are too fragile to include on weather sealed, pro-build quality cameras. I certainly never found any issues with their implementation on the E-3 & E-5, despite those cameras being roughly handled in a fine selection of aggressive environments. Unfortunately the E-5.2 does not have the phase detect auto-focus which provides full compatibility with Four Thirds lenses. I suppose we’ll have to wait for the EM1.2 for everything to fit together. But this time around, I might, possibly, be tempted. I’m due to visit the Icelandic highlands in the summer, and at present I don’t own a camera which would put up with much of the weather encountered in those regions.

Posted in category "GAS" on Wednesday, February 11, 2015 at 09:40 AM

Camera Of The Week #1

in GAS , Wednesday, January 21, 2015

Well, following my recent despairing musings, I’ve taken words of advice to heart, and decided that the best way to gain some redress from my creative slump is to BUY CAMERAS! Yay! So, rather than embark on some dull as ditchwater Photo-A-Day endeavour like everybody else, I’m going to be totally original and buy and rave about a new camera every week! Nobody has ever thought of that! (er, are you quite sure about that ? - author’s alter ego). By the time I’ve worked out what button to press to active Sweet Puppy Darling Cheesecake Party Light Selfie Mode (no, really, Panasonic *do* have that, I saw it on DPReview), I’ll be using the video mode (whatever the hell that is) to show the unboxing of the next one! And my blog will instantly become as cool as 35MMC! (author’s little voice - in your dreams, and after some extreme outsourced graphic design makeover, matey)

So, drum rolls and whatever, here’s the first in a long, long series (promise), a brand new (almost), totally up to date FULL FRAME DSLR (Dented-SLR): the truly stunning Olympus OM4Ti.

OM4Ti

The OM4Ti with a Zuiko 85mm f2 lens I had knocking around…

I’ve wanted one of these since, like, forever (I’ve seen cool people use “like, forever” on Facebook, so whatever). But it used to cost about $2000, which was a little on the ascendant side, given that it doesn’t even have Exposure Priority. Or indeed video. Then again since I only ever use Aperture Priority, that’s not a problem. And it cost CHF 89.-, which is slightly more US$ than this time last week (and let’s not even mention €), but still rather a lot less than $2K.

And OMG is it gorgeous. I can’t stop fondling it. The view through the finder makes me babble incoherently (nothing new there), and feathers would kill for its lightness of touch. It makes my Digital Wonderbox E-P5 look a little tragic, really. The handling is just perfect, the multispot mode that I remember Canon copying on the T90, and which I used a lot until it gave me a hernia, is excellent, although overkill for negative film, and the Hilight / Shadow buttons are fantastic for when you can’t remember how exposure compensation works. So, I ran two rolls of slightly expired Ektar 100 through it - I hate Ektar 100, actually, but it’s all I had to hand - and rushed off to the only 1-Hour photo lab left this side of the Alps… and it was bloody closed.  So no slightly delayed chimping for me.

…two days later…

Well, getting two rolls of Ektar processed and scanned automatically to CD on a Fuji Frontier 1000 cost me about half the cost of the camera, which gives one pause for thought, but the results are promising. Apart from the shots where I forgot that image stabilisation was invented about 20 years later, and allowing that it is, after all, Ektar, they look pretty good to me. When I get time I’ll do my own scans. I have two Zuiko lenses, a rather crotchety 50mm f/1.4, and a very smooth 85mm f/2.0. Both work far better on the OM4Ti than on digital bodies.

So, these are all basic vanilla lab scans, no tweaking.

drm_om4_02a
drm_om4_05a
drm_om4_04a
drm_om4_16a
drm_om4_12
drm_om4_30
drm_om4_17
drm_om4_33
drm_om4_36

Film’s not dead. It’s just resting.

Right, that’s enough of that camera. Bored. Attention span exceeded. Next, please!

 

 

 

Posted in category "GAS" on Wednesday, January 21, 2015 at 09:53 PM

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