Just some stuff about photography

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Riders on the storm

in Antarctica , Wednesday, December 14, 2016

Every once in a while there comes along a photo which will just stick in my head. Some of them I didn't even actually take - there's a fantastic shot I have from New Zealand 15 years ago which I didn't actually take - but in the case I did.

The location is the Antarctic Sound, 2 weeks ago. There was an absolutely insane storm blowing, with unearthly lighting that I'll never manage to convince anybody isn't Photoshopped. The ship was being blown through an expanse of tabular icebergs, providing non-stop shots of a lifetime, provided you could find somewhere to wedge yourself in to avoid getting flattened by the wind or thrown over the side by the motion.

Most people had, sensibly, retired to somewhere sheltered with things to hang on to, and sturdy paper bags nearby. We hung on. And then this happened - an iceberg, loaded with frantic Adelie penguins careened crazily past. There cannot have been more than 30 seconds to grab a shot, but for once I kept my wits about me and got four. Here's one of them. Ok, yeah, it isn't absolutely pin sharp at 100%, but I'll take it.

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Posted in category "Antarctica" on Wednesday, December 14, 2016 at 07:13 PM

Carry that weight

in GAS , Sunday, November 06, 2016

A couple of years ago, I went off for a 5 week trip around Argentinian Patagonia and Tierra del Fuego, fitting in a 12-day cruise around the Antarctic Peninsula. Apart from the fact the the photos from that trip, in particular those from the Argentinian part, are still languishing neglected in my archives, one thing that keeps nagging at me is the ridiculous amount of gear I burdened myself with. I've whined quite a lot it here - here, and here, for example. I should have known better.

So, with a sort-of repeat experience coming up at the end of the month, have I learned my lesson ? Well, perhaps. I've worked out that even neglecting things like filters, batteries, film, and all the other paraphernalia, in December 2012 I set off with a backpack weighing over 10kg. And actually, I also had a Domke shoulder bag with a Ricoh GRD4, but I was relieved of this by a helpful Argentinian in Buenos Aires. This time, largely thanks to the Olympus Micro Four Thirds system, and swapping the Sigma Dp0 for the Hasselblad XPan set, I have a very similar set, but weighing under 7kg. It's still noticeable, but manageable. The difference between the Four Thirds and Micro Four Thirds sets is a significant contribution:

Camera weights


The range of focal lengths is a bit different. I left the 4/3 7-14 f/4 lens at home last time, because it was just impossible. But the m4/3 version is much lighter (and faster). What I am missing in my 2016 packing list is a long telephoto. In 2013 I took a non-mirrorless E-System kit with me, and the fabulous Zuiko Digital 150mm f2/0. Attaching this to a 2x convertor turned it into a 300m f/4, a pretty powerful tool. Coincidentally, Olympus now sells a very highly rated 300m f/4 for Micro Four Thirds. Forgetting the cost for a moment, this weighs in at 1.2kg, only 100g lighter than the old ZD 150. My Lightroom catalog tells me that in 2013, out of a total of 1108 photos taken in the Antarctic, only 89 were taken with this cumbersome and restrictive 150mm. However, those 89 include several of my favourites. But anyway the conclusive point is that there is no room in my backpack for a 300mm lens, so I'll just have to be more creative with what I've got. And anyway, I'm not really a dedicated wildlife photographer, so a 300mm prime lens really would be a little extravagant.

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A pretty psychedelic penguin, rather an extreme shot taken with the Zuiko 150mm f/2 wide open



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And a somewhat psychotic penguin. This time with the 150mm f/2 tele-converted to a 300mm f/2



Very recently Olympus introduced a new lens, a 12-100mm constant f/4 zoom, which would be really ideal for travel like this. The 12-40mm f2/8 is really excellent, but it is a little restricted in range, and a 12-100 would really help to avoid a lot of lens swapping, which in typically Antarctic Peninsula weather is really no bad thing. The new Olympus camera, the E-M1 Mk II, would also bring a lot of benefits. Unfortunately neither of these will apparently be available until 2 days before I return. Not being a Famous Photoblogger, there's no chance of getting my hands on them. Oh well, what I've got will work just fine.

Actually, weight is less of an issue this time, as the trip basically consists of a glorified taxi ride into (hopefully) the Weddell Sea, but still, it counts. One issue is of course ever stricter carry-on baggage restrictions, so that too needs to be taken into account, but there is also the point that too much gear can drastically interfere with photography.

Hopefully I won't end up whining so much this time.


Posted in category "GAS" on Sunday, November 06, 2016 at 03:47 PM

17mm

in Photography , Thursday, March 24, 2016

17mm, or 35mm in old money. Before, and after, a pair of casual shots. Hardly the stuff of dreams, or exciting world explorer stuff. Just a connection to my everyday world, at probably my favourite focal length.

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(Olympus Pen E-P5, 17mm f1.8 lens)

 

Posted in category "Photography" on Thursday, March 24, 2016 at 07:39 PM

Cameras or Photography?

in General Rants , Saturday, March 05, 2016

Cameras get in the way of photography. That sounds like a fairly ridiculous statement, but I think it is difficult to argue against. I’d like to think I’m interested in photography, but of the far too many hours I spend browsing the web, I spend far more reading about cameras than I do about photography and photographers. But what is very noticeable is that the more engaging photographers just don’t talk about cameras at all (and usually have dull websites, but that’s another matter). Maybe they feel a stigma attached to such discussion, or maybe they’re just not interested. But anyway, when the discussion veers towards cameras, as it usually does, something is lost. Of course, ten seconds on this site shows quite clearly which camp I’m in. It’s not exactly a gear site - and after all, these do encompass quite a wide spectrum - but it hardly ignores cameras or other paraphernalia of photography-as-hobby. So I’m in no position to judge, even if I were judging, which I’m not - just observing. But coming back to the original statement, I do find that the more I think about cameras, the less interested I am in photography, and the less interesting my photography gets.  Fortunately I have by and large stayed with the same principal brand and gear over a very long period, and I’ve never been afflicted by the more extreme cases of the malady which involve switching brand every 6 months. But nevertheless, if there is one thing that separates photography as art from photography as hobby, it’s the susceptibility to Gear Acquisition Syndrome.

The cycle of endless new, improved, must-have cameras has slowed down a bit, but it hasn’t stopped. It has changed tack a bit, and now we’re seeing design becoming much more prevalent in the marketing push, especially retro design sparking nostalgia for the alleged romance of the mechanical heyday of the film era.

So, what bought this on? Well, a new camera on the market, basically. Namely, the new Olympus Pen-F. It’s a nice looking piece of metal, and it is getting mainly rave reviews everywhere (although this review, from an actual Olympus employee, is strikingly lukewarm). Amongst Olympus owners, of which I’m one, there is a discernible of peer pressure to buy one. Well, yes, it’s a nice camera, but I’ve already got an Olympus Pen, an E-P5, and that took me long enough to decide to buy. The Pen-F, apart from the striking design, has 4 Megapixels more (not terribly significant), a fixed built-in EVF, and lots of new modes aimed at doing everything in camera, outputting JPEG, when for the last decade we’ve had it piled on us that we should be shooting Raw. What the Pen-F does not have, but what the E-P5 does, at least as an accessory, is a tilting EVF which allows you to hold the camera at chest level, and affords a different way of shooting and different perspectives.  For some this is uninteresting, for me it’s a big plus. Also the E-P5 EVF is the same as the one on the top of the range E-M1, and superior to that on the Pen-F.  Add into that an eye-wateringly high price, and well, for now at least I think I’ll pass.

This leads on nicely to the previous “upgrade” cycle, when the E-P5 replaced the E-P3. There again I dragged my feet, as I was used to the E-P3, and Olympus had moved the controls around disturbing my reflexes. But there were a couple of compelling arguments that time, so eventually, I switched.  But I didn’t just abandon the E-P3. Instead I had it converted to infrared, which gives me a good excuse to water down this gear-obsessed post with some photography, a selection of infrared shots from Venice, taken back in December.

I can’t keep away from the gear, but it really is a relief to get back to photography.

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Posted in category "General Rants" on Saturday, March 05, 2016 at 07:20 PM

Colombia, the Sequel

in Travel , Sunday, January 24, 2016

Things have been a little quiet around here for the past week or so, and they’re going to get quieter for a while longer. A couple of weeks ago we made a snap decision to head back to Colombia for three weeks or so, and getting that organised, along with general Life stuff, has kept me away from trivia like blogging.

I did start publishing a series of posts on Colombia a while back, but that got overwhelmed by other topics, and I never got around to Cartagena.  That’s a real shame, because Cartagena is ridiculously, hopeless photogenic, a wild riot of chaos, colour, and fading colonial architecture. We won’t be going back there this time, other destinations await, but for now, here’s a lightning quick selection.

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Hasta la vista. I’ll be back.

Posted in category "Travel" on Sunday, January 24, 2016 at 09:24 PM

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