Just some stuff about photography

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Still Life

in Photography , Wednesday, March 11, 2015

My photography over the past month or so has been opportunistic in the extreme. Just reacting to stuff that makes me stop. None of it is random, I very rarely press the shutter button without some connection in my head, but those connections are usually very oblique. Anyway, even if it is all in my mind, as Mike Scott pout it in his classic 5 minutes of doom, “The Wind in the Wires” ... where else would it be ?

I’m drifting further and further away from The Great Classic Landscape, but being consistent only in my inconsistency, I expect I’m in a very elliptical orbit. I wouldn’t have it any other way.

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(speaking of randomness, the subtitle to this post is stolen from the second album by US gothic electronica duo Witchcraft, which I had a fairly minor role in back when it was released. Well, to be accurate, I financed it. And assembled the artwork)

 

Posted in category "Photography" on Wednesday, March 11, 2015 at 08:36 PM

Camera Of The Week #1

in GAS , Wednesday, January 21, 2015

Well, following my recent despairing musings, I’ve taken words of advice to heart, and decided that the best way to gain some redress from my creative slump is to BUY CAMERAS! Yay! So, rather than embark on some dull as ditchwater Photo-A-Day endeavour like everybody else, I’m going to be totally original and buy and rave about a new camera every week! Nobody has ever thought of that! (er, are you quite sure about that ? - author’s alter ego). By the time I’ve worked out what button to press to active Sweet Puppy Darling Cheesecake Party Light Selfie Mode (no, really, Panasonic *do* have that, I saw it on DPReview), I’ll be using the video mode (whatever the hell that is) to show the unboxing of the next one! And my blog will instantly become as cool as 35MMC! (author’s little voice - in your dreams, and after some extreme outsourced graphic design makeover, matey)

So, drum rolls and whatever, here’s the first in a long, long series (promise), a brand new (almost), totally up to date FULL FRAME DSLR (Dented-SLR): the truly stunning Olympus OM4Ti.

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The OM4Ti with a Zuiko 85mm f2 lens I had knocking around…

I’ve wanted one of these since, like, forever (I’ve seen cool people use “like, forever” on Facebook, so whatever). But it used to cost about $2000, which was a little on the ascendant side, given that it doesn’t even have Exposure Priority. Or indeed video. Then again since I only ever use Aperture Priority, that’s not a problem. And it cost CHF 89.-, which is slightly more US$ than this time last week (and let’s not even mention €), but still rather a lot less than $2K.

And OMG is it gorgeous. I can’t stop fondling it. The view through the finder makes me babble incoherently (nothing new there), and feathers would kill for its lightness of touch. It makes my Digital Wonderbox E-P5 look a little tragic, really. The handling is just perfect, the multispot mode that I remember Canon copying on the T90, and which I used a lot until it gave me a hernia, is excellent, although overkill for negative film, and the Hilight / Shadow buttons are fantastic for when you can’t remember how exposure compensation works. So, I ran two rolls of slightly expired Ektar 100 through it - I hate Ektar 100, actually, but it’s all I had to hand - and rushed off to the only 1-Hour photo lab left this side of the Alps… and it was bloody closed.  So no slightly delayed chimping for me.

…two days later…

Well, getting two rolls of Ektar processed and scanned automatically to CD on a Fuji Frontier 1000 cost me about half the cost of the camera, which gives one pause for thought, but the results are promising. Apart from the shots where I forgot that image stabilisation was invented about 20 years later, and allowing that it is, after all, Ektar, they look pretty good to me. When I get time I’ll do my own scans. I have two Zuiko lenses, a rather crotchety 50mm f/1.4, and a very smooth 85mm f/2.0. Both work far better on the OM4Ti than on digital bodies.

So, these are all basic vanilla lab scans, no tweaking.

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Film’s not dead. It’s just resting.

Right, that’s enough of that camera. Bored. Attention span exceeded. Next, please!

 

 

 

Posted in category "GAS" on Wednesday, January 21, 2015 at 09:53 PM

Hello (again) Ricoh

in Ricoh , Monday, November 10, 2014

Just under 2 years ago I became unwillingly separated from my Ricoh GRD4 due to a bit of carelessness in Buenos Aires and some anonymous Argentinian who doubtlessly is now roasting in hell for his/her misdemeanours. This interrupted something like 14 years of continuously using Ricoh GR series cameras. Although I had (and still have) a GRD2, it was falling apart and frequently refused to work. I adored the look of the “new GR” when it first came out, but it was a bit too expensive for me.

But no more. Thanks to a very low special offer from Digitec here in Switzerland, I am now the new owner of an APS-C sensor Ricoh GR, quite a different proposition from the GRD4 from an image quality point of view (although not always necessarily better) but with the same fantastic usability, design and build quality. And I’ve got it just in time for our next Latin America jaunt, to Colombia, where discretion is highly advisable. Hopefully it won’t get “liberated” like its predecessor.

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GRs old and new - the GR1S film camera, GRD2 digital, and new GR.

Due to the large sensor and subsequent shallower depth of field, it isn’t quite as forgiving in use as the the GRDs.  Closer in a way to the film GR, and also closer in size.  But from my first hurried attempts in grim weather, it gives great results. And it fits in my pocket.

All the photos here are pretty much straight from camera…no time for faffing around right now.

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Posted in category "Ricoh" on Monday, November 10, 2014 at 08:32 PM

Anti-adventure photography

in Photography , Tuesday, August 05, 2014

Following the world of photo blogs, it’s all too easy to be overwhelmed by the constant flux of fantastic images from fabulous places, taken by ultra-cool world traveller photographers wielding priceless gear. Locked into a day to day existence which largely means being sat at a desk all day doing largely pointless things, this can get depressing fast. I’m sure I’m not the only one bemused by the seemingly endless stream of exotic “workshops” being offered at prices that seem to start at unaffordable and head swiftly upwards.  Yes, I’d love to travel the world and take photos (well, I think I would, mostly), but I have neither the money nor the time, or perhaps the drive. But every now and again I can, a little, so when opportunities arise, hopefully I can make the most of them.

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And the best way to make better photos is to make photos often. Not just on vacation. Not just on the odd weekend or day out, but everyday. “But there’s nothing to photograph here”, is a frequent complaint, and certainly one I’ve made. And it’s wrong. There’s always something to photograph. If you can’t find it, you’re not looking.

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My daily routine involves working in an office in a superficially nondescript suburban dormitory village, which had most of the life sucked out of it decades ago. Oh, but thousands of years ago it was a strategic Neolithic settlement. And hundreds of years ago, a refuge from bandit country. Nowadays most of that past is concreted over, though. Oh, and when I get to go out, it’s usually midday, with a harsh, burning sun directly overhead. Hardly an auspicious location for an aspiring landscape photographer. Not much joy for a street portraitist either: the streets are largely deserted of pedestrians.

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So, basically it’s challenging in lots of ways. And yet most days around lunchtime I venture out with a camera, generally sticking with the same body/lens combination for weeks on end. Operating the camera becomes a more and more automatic, tactile process. And sometimes I get photos that, despite the odds, I quite enjoy. They’ll never get many faves on Flickr, and they’d get ignored on 500px. Some scenes I’ve shot many times over, noticing how slight changes in light and time of day can make a big difference.

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Most of these walkabout shots get deleted. But they all help me to hone my compositional skills, and to coax some kind of coherent image from the jumble of the soulless concrete boxes so beloved by many Swiss, from the vestiges of the older village, or the in-between times. Sometimes they quite surprise me. And getting more and more instinctive about composition, especially in uninspiring circumstances, will only help when I have the opportunity to photograph something I care about. And then again, despite myself, through roaming the streets of this unremarkable, dull, unloved, half-deserted village I can’t help but develop a strange attachment to it.

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All these were taken using the 17mm f/1.8 lens on the Olympus E-P5.

Posted in category "Photography" on Tuesday, August 05, 2014 at 09:01 PM

streetwide

in Hasselblad XPan , Sunday, July 20, 2014

A photographic post with a return to the topic of street photography (which I don’t do).  Here I line up all sorts of obstacles for myself by first trying to do street photography, second using a camera which really is at it’s best on a tripod and used slowly, and third, using what was always an unconventional choice of film, and now is just plain flat-out eccentric, Agfa Scala monochrome E6 slide film (or indeed using film at all).

Agfa Scala is nominally rated at ISO200, but is designed to be used from 100 to 1600 depending on circumstances. The canisters are not DX-coded, so you need to set the speed yourself. I ran this roll at ISO800, as the XPan’s 45mm lens is relatively slow at f/4.  Note, 45mm on an Xpan corresponds to a horizontal field of view around 28mm for a normal 35mm frame, so you need to get close.

It’s pretty easy to scan in Silverfast, using 16bit greyscale settings and auto-levels.

The results are, well, at best tentative, but it was an interesting experiment.

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I don’t know about the rest of the world, but you can still buy the allegedly withdrawn Agfa Scala film from Fotomedia in Switzerland, who will also process it.

Posted in category "Hasselblad XPan" on Sunday, July 20, 2014 at 02:04 PM

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