I’d like to take this opportunity to wish everybody who has visited here over the last year, and provided on- and off-line feedback, positive and less positive, a very happy Christmas, and a happy, safe and rewarding New Year. I’ll be back soon with lots of riveting tales and uncannily fabulous photography.
/rant/I’m absolutely Nondenominational, possibly atheist, but I really, really abhor this “happy holidays” nonsense. If somebody the concept of Christmas (the real one, that is) offensive, then I wouldn’t wish them happy anything. /rant>
So, Day 2 in Venice. A nice day, but not exactly breaking any photographic boundaries. I certainly took some photos, but they’re not going to win any prizes. Two positive points though - first, at long last I made it out to the San Pietro and Santa Elena areas. San Pietro especially is well worth a visit. This is a Venice a million miles away from St Mark’s Square and the Rialto. Of course, most people would find it totally pointless. Not even a selfie-stick salesman in sight. Which is why “most people” don’t go there, and I do.
Second point, visiting Gianni Galassi‘s wonderful exhibition, Elogio della Luce, at the equally wonderful Wilmotte Foundation. His monochrome architectural abstracts look even better in print.
But, unfortunately, a large part of the day I spent comatose due an ongoing throat infection that just will not go away…
Once again, I’m back in Venice. I arrived this afternoon after a 4 hour drive dodging trucks and insane Italians (all of whom - the insane ones that is - drive Audis, for some reason). The idea is some seriously needed rest & recuperation, wandering around Venice with a camera. Or five. Well, I did leave a few at home. With me are my brand new Sigma DP0 Quattro and Olympus E-M1, both the result of a recent what-the-hell retail therapy binge.
Things have not got off to a good start, really. I spend the late afternoon on a wide wander from Dorsoduro to Piazza Roma, Cannaregio, San Marco and back, generally fairly disconsolate and wishing I hadn’t bothered. I not exactly “in the Zone”. In fact I don’t even know where or what the Zone is. I’m not even getting the buzz of being in Venice.
I came here with a concept I’ve had in mind for a month or so. I’m not going to go into it now, in case somebody steals it, but I think it is a pretty good concept. Of some Artistic Worth, even. The problem is, although I can express the idea verbally, I’ve really no clear idea of how to approach it photographically. So, the pressure of this, added to the counter-attraction of playing with new toys (despite the fact that I really, but really don’t get much thrill out of that any more), and a general mental exhaustion after a fairly tough year, result in total creative block.
Later, after a chance meeting with another photographer (hi Daniele) - Sigmas are really good conversation starters - a later, a small but tasty risotto ai fungi porcinei, and a glass of prosecco, I started to feel a little better, and played around doing some night shots.
Maybe tomorrow will be a little brighter.
Footnote: since the only thing I seem to be able to put my mind to is playing around with gadgets, I suppose I can allow myself one little bit of geekery. Below is a 1:1 sample of the centre part of the image above, at the end of the passageway. Personally I find it pretty impressive…
Well, it’s here. The (maybe, possibly) “Digital XPan”. As I mentioned yesterday, I found that Amazon Germany was selling the Sigma DP0 Viewfinder kit for €780, if I followed an advertising link on an external site. Going direct to Amazon, it was listed at €1000. Very strange, but I grabbed the opportunity, and they delivered. And it arrived this afternoon, and as soon as I could charge up the battery, I managed to escape from work for 15 minutes and took a couple of test shots, using the 21:9 aspect ratio.
The camera has a very unusual shape, but I find it quite nice to hold. It’s built like a tank, like the Merrills, but perhaps with a touch more elegance. The manual is totally unnecessary: the controls and menu on the Sigma are second to none, and the QS “Quick Select” button brings up a page which is even improved on the Merrill version. I accidentally shot at ISO800, which would have been a disaster on the Merrills, but it’s ok here. The Foveon colours are as delicate and realistic as ever.
So, is it an approximation to a digital XPan? My very, very, first impression is that it might just be.