Laowa 6mm for Micro Four Thirds
Generally I’ve stayed away from writing too much about gear in recent years, but finally it seems to be what people want to read, so while I have no interest or skill in objective testing (haha), if I’ve got something subjective to say, that might be of wider interest, why not.
So, today I’m going to write about a lens I have quite literally just received, the (deep breath) Laowa MFT 6mm f2.0 C&D-Dreamer lens by Venus Optics. I’ve been eyeing ultra wide angle primes for a while, to complement or sometimes replace my Olympus 8-25 f/4, and while the Lumx 9mm was a strong candidate, it seemed more sensible to go for something wider. I would echo what others have said - if you’re interested in an ultra wide prime for Micro Four Thirds, just stop reading already and buy this one (although finding it may be a little tricky).
So, Medium Format?
When I’m in the zone with the Hasselblad X1Dii, it’s really something else. The look of shots on the luxuriously huge, contrasty rear screen convince me that we’re really on a different level here. That yes, this is worth 4x or 6x or whatever times the price of the Olympus OM-1. Even when downloading and editing, the feeling remains, and hitting zoom at 100% reveals the incredible level of detail. I’m convinced I have photos here I could not have taken with any other camera (well, yeah, ok, there is the dp0 Quattro sitting on the shelf over there). This gear-induced high continues, urging me once again to consider the unthinkable upgraded to an X2D. And then…
…and then I compare a shot to a similar one taken on a far more humble camera 10 years older.
Is it worth it? Is it really? It is. It must be. Mustn’t it?
Square Space
I’ve been virtual window-shopping V-Series Hasselblad’s for quite some time now, but, rationally, my X1DII in square crop already does everything they can do… doesn’t it? Well, yes, but it doesn’t shoot film, and it doesn’t quite give the 3D depth of those Zeiss lenses on true 6x6 format. I thought I wanted a 503cw, since those were the last word, but they are expensive and that, luckily, stopped me. Following a bit of revision, I realised that the only difference between a 503cw and a 501cm is that the 503 has extra features for flash photography. And I really, but really, do not do flash. Shortly after this, a very nice looking, very late model 501cm popped up on a Swiss auction site. And it was black, which inevitably as it goes against the flow, I prefer. So I put in the minimum bid, and to my surprise I won.
Ricoh Revival
I've been using Ricoh GR cameras since 1997. In fact, the Ricoh GR1 was the first camera I bought new*, and had a significant part to play in my starting to take photography seriously. Since then, I've always owned a Ricoh GR of one kind or another, although my use of them goes in peaks and troughs.
Hasselblad X1D, one year later
It seems like only yesterday that I confessed to the Mother Of All Gear Acquisition Syndrome lapses, my entry into the Hasselblad "X System" (to be precise the second coming of the X System, the title having previously been used for the XPan).